Las óleos de todo theophile-alexandre steinlen
ID Image  Painting (From A to Z)       Details 
37401  
theophile-alexandre steinlen, Chat et Chatte
  		 Chat et Chatte   mk125
37392  
theophile-alexandre steinlen, Des Chats
  		 Des Chats   mk125
37388  
theophile-alexandre steinlen, La Fillette au Chat
  		 La Fillette au Chat   mk125
97990  
theophile-alexandre steinlen, Lettre Au Bon Dieu
  		 Lettre Au Bon Dieu   1901(1901) Medium oil on panel Dimensions 23 x 32 cm cyf
37398  
theophile-alexandre steinlen, Poster Advetising Sterilized Milk
  		 Poster Advetising Sterilized Milk   mk125
11060  
theophile-alexandre steinlen, The Coal Sorters
  		 The Coal Sorters   1859-Paris 1923 The Coal Sorters,1905 2' x 2 8 1/4''(61 x 82 cm)Bequest of Mrs.Roger Desormiere,1970
11689  
theophile-alexandre steinlen, The Kiss
  		 The Kiss   2' 3 3/4'' x 1' 11 3/4''(70.5 x 60.5 cm) Bequest of Mrs.Roger Desormiere,1970
theophile-alexandre steinlen
Swiss-born French Art Nouveau Painter and Printmaker, 1859-1923 was a Swiss-born French Art Nouveau painter and printmaker. Born in Lausanne, Steinlen studied at the University of Lausanne before taking a job as a designer trainee at a textile mill in Mulhouse in eastern France. In his early twenties he was still developing his skills as a painter when he and his new wife were encouraged by the painter Francois Bocion to move to the artistic community in the Montmartre Quarter of Paris. Once there, Steinlen was befriended by the painter Adolphe Willette who introduced him the artistic crowd at Le Chat Noir that led to his commissions to do poster art for the cabaret owner/entertainer, Aristide Bruant and other commercial enterprises. La tournee du Chat Noir avec Rodolphe Salis (1896)In the early 1890s, Steinlen's paintings of rural landscapes, flowers, and nudes were being shown at the Salon des Independants. His 1895 lithograph titled Les Chanteurs des Rues was the frontispiece to a work entitled Chansons de Montmartre published by Editions Flammarion with sixteen original lithographs that illustrated the Belle Epoque songs of Paul Delmet. His permanent home, Montmartre and its environs was a favorite subject throughout Steinlen's life and he often painted scenes of some of the harsher aspects of life in the area. In addition to paintings and drawings, he also did sculpture on a limited basis, most notably figures of cats that he had great affection for as seen in many of his paintings. Steinlen became a regular contributor to Le Rire and Gil Blas magazines plus numerous other publications including L'Assiette au Beurre and Les Humouristes, a short-lived magazine he and a dozen other artists jointly founded in 1911.



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